August 6–December 13, 2026
Cantor Arts Center, Lynn Krywick Gibbons Gallery (210)
This installation begins with a score for a performance. Like sheet music for a dancer, a choreographic score uses notation to describe steps, movement, and timing. From this point of departure, Long Take unfolds as a series of gestures that engage accessibility and access infrastructures as artistic material.
For the central work, Leans, Reverses (2022), Carolyn Lazard collaborated with dancer Jerron Herman and poet and artist Joselia Rebekah Hughes. They created a dance video, drawing from the legacy of...